AFTER recent experimentations Ms Wilson returns to the standards. Recorded in an intimate setting with a small group, the result is a state-of-the-art, near-perfect classic.
Lover Come Back To Me is the brisk opener, Jason Moran’s piano in urbane Teddy Wilson mode underpinning Cassandra’s cappuccino voice.
Nicholas Payton’s brief muted trumpet solo enhances the relaxed 1940s/50s jam session feel.
Black Orpheus continues the intimacy, swooning swell-pedal guitar, double bass and the rhythmic pairing of drummer Herman Riley and Nigerian percussionist Lekan Babalola.
The relaxed, gentle lope of the title track is thanks to the minimalist piano of Jason Moran, understated guitar, bass and drums.
Gone With The Wind is a bossa nova, while Caravan goes at a tearaway Latin lick that would have delighted composer Juan Tizol.
Forgive the brief visit to the scat land of ooblie dooblie on the final tune, Sleepin’ Bee; this ravishing 12-track album shows an American vocal diva on towering form.
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